Has the United States lived up to
its obligations under the WIPO Internet Treaties to protect the exclusive
“making available” right of copyright owners?
Some would argue
no, and that Congress should amend the U.S. Copyright Act. Others would argue that the exclusive rights
provisions in Section 106 of the Copyright Act are adequate.
In Internet copyright infringement litigation, this issue has arisen in the
context of a plaintiff’s evidentiary burden of proof and whether the “making
available” right requires a plaintiff to prove that an infringing work was
simply uploaded to the Internet, or both uploaded and downloaded. Court cases have been inconsistent.
By way of
background, when the Internet was relatively new and growing rapidly in the
mid-1990s, the international copyright community wanted to ensure adequate
copyright protection in the new medium.
Toward that goal, the World Intellectual Property Organization (WIPO)
and its member states (including the United States) entered into the WIPO
Internet Treaties, which consist of the WIPO Copyright Treaty (WCT) and the
WIPO Performances and Phonograms Treaty (WPPT).
The treaties
required the U.S. and other member states to provide a “making available” right
that gives copyright owners the exclusive right to authorize the on-demand
transmission of their works and sound recordings to the public (e.g., via the
Internet). The treaties articulate the
exclusive “making available” right as follows:
WCT
Art. 8
|
Without
prejudice to the provisions of Articles 11(1)(ii), 11bis(1)(i) and (ii),
11ter(1)(ii), 14(1)(ii) and 14bis(1) of the Berne Convention, authors of
literary and artistic works shall enjoy the exclusive right of authorising
any communication to the public of their works, by wire or wireless means,
including the making available to the public of their works in such a way
that members of the public may access these works from a place and at a time
individually chosen by them.
|
WPPT
Art. 10
|
Performers
shall enjoy the exclusive right of authorising the making available to the
public of their performances fixed in phonograms, by wire or wireless means,
in such a way that members of the public may access them from a place and at
a time individually chosen by them.
|
WPPT
Art. 14
|
Producers
of phonograms shall enjoy the exclusive right of authorising the making
available to the public of their phonograms, by wire or wireless means, in
such a way that members of the public may access them from a place and at a
time individually chosen by them.
|
Congress did not amend the
Copyright Act to specifically refer to the “making available” right, instead assuming
that the exclusive rights provisions in Section 106 of the Copyright Act
adequately protect the right.
The Supreme
Court in American
Broadcasting Cos. v. Aereo, Inc., 573
U.S. __, 134 S.Ct. 2498 (2014), confirmed that the public performance
right encompasses the transmission of copyright works to the public through
individualized streams. However, in the
context of merely offering access to
copyright content, some district courts questioned the existence of the “making
available” right under U.S. law, declining to recognize a cause of action where
copyright owners are unable to prove that downloads
or receipt occurred. Other courts simply
rejected the “making available” right without acknowledging or discussing the
international obligations of the United States under the WIPO Internet Treaties. Appellate courts have not conclusively
resolved the issues in cases involving works in digital format, although some
appellate decisions have held that distribution does not necessarily require an
actual transfer of copies in the context of a library offering physical copies
of a work to the public.
In December
2013, Congress asked the U.S. Copyright Office (USCO) to weigh in on the debate. Congress specifically requested feedback on
the following issues: (1) how the existing bundle of exclusive rights under
Title 17 covers the “making available” right in the context of digital
on-demand transmissions such as peer-to-peer networks, streaming services, and
music downloads, as well as more broadly in the digital environment; (2) how
foreign laws have interpreted and implemented the relevant provisions of the
WIPO Internet Treaties; and (3) the feasibility and necessity of amending U.S.
law to strengthen or clarify the law in this area.
In response, the
U.S. Copyright Office (USCO) released The
Making Available Right in the United States: A Report of the Register of
Copyrights on February 23, 2016. The
report concludes that the treaties require no Copyright Act amendment, but
recommends that Congress continue to monitor case law and offers suggestions if
Congress chooses to amend the law.